Across the world, many cultures have specific traditions to celebrate the transition from the old year to the new. In the U.S. and Canada, we associate New Year’s with the ball in Times Square, kissing at the stroke of midnight, resolutions, and singing “Old Lang Syne.” But for many Spanish-speaking countries, one of the key traditions has to do with eating grapes as fast as possible.

The “twelve grapes” tradition comes from Spain, where it is called las doce uvas de la suerte (“The Twelve Lucky Grapes”). To ensure good luck for the next year, people eat one green grape for each of the upcoming twelve months. However, you cannot just eat the grapes during the first day of the new year any time you feel like it. You must eat the twelve grapes starting at the first stroke of midnight on Nochevieja (“Old Night,” New Year’s Eve) as one year changes to another. And you have to keep eating: with each toll of midnight, you must eat another grape, giving you about twelve seconds to consume all of them. If you can finish all dozen grapes—you can’t still be chewing on them!—before the last bell toll fades, you will have a luck-filled new year.

Where did this tradition come from? No one is certain, although it appears to be more than a century old. One story about the Twelve Lucky Grapes is that a large crop of grapes in 1909 in Alicante, Spain led to the growers seeking out a creative way to eliminate their surplus. But recent research through old newspapers shows that perhaps the tradition goes back almost thirty years earlier to the 1880s, where eating grapes was meant to mock the upper classes who were imitating the French tradition of dining on grapes and drinking champagne on New Year’s Eve.

It can be difficult to consume grapes this fast, and the lucky grapes of New Year’s Eve have seeds in them, making the job even trickier. (Seedless grapes are not common in Spain the way they are over here.) For people to manage eating all the grapes before the last stroke of midnight requires swallowing the seeds as well and only taking a single bite of each grape.

Oh, there is one more twist to the tradition: you have to be wearing red undergarments, and they have to be given to you as a gift. The origins of this part of the tradition are even more mysterious, and it’s anybody’s guess why this started.

Whether you go for the grape challenge or find another way to ring in New Year’s, all of us at Kool Breeze hope you have a great start to the year and a, uhm, fruitful 2015.

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You may have heard about the fashion faux pas of wearing white after Labor Day. In the present, this tradition is usually treated as old fashioned and a joke. Few people will criticize you for wearing white articles of clothing after the first Monday in September, or even take notice of it except to wonder why it was ever a major concern at all.

Where did this tradition of white clothing going out of fashion after Labor Day come from, and why did it fade away like colorful fabric washed in a hot load in the washing machine?

In general, white makes sense for the heat of summer. Light-colored clothing reflects away the radiant heat of the sun, instead of absorbing it the way dark colors do, so for thousands of years of human history people have preferred to wear white clothing during the hotter months.

However, the idea of white as strictly fashionable during the summer season only emerged in the nineteenth and early twentieth centuries—the time when the very concept of “fashion” began to spread across the Western Hemisphere.

It was only the highest level of post-Civil War society in the U.S. that strict and often bizarre rules for fashion controlled whether someone was in with the “in” crowd. Compared to our ideas of what’s fashionable today, the Czars of Style in the 1880s were true despots. Things as trivial as sleeve length could determine whether a woman in high society—no matter her level of wealth—was fashionable or a pariah.

Wearing white during the only summer, when it was common for weddings and outdoor parties, was only of these restrictive society rules. When the U.S. government made Labor Day a federal holiday in 1894, the Fashion Czars gained a definite cut-off point for when wearing white was no longer “acceptable” in the upper echelons of wealthy society.

For many decades, this rule only applied to a small number of millionaire socialites in a few big cities, but in the 1950s it reached general fashion magazines that were read around the country and started to affect more people.

But time eventually broke apart this odd rule, and during the 1970s fashion became more individual. Some fashion legends, like Coco Chanel, also purposely rejected the restriction and wore white throughout the year. Today, the “no white after Labor Day rule” is little more than an amusing gag to tease friends, and almost nobody takes it seriously.

Whatever you choose to wear after Labor Day (and if it’s white, we won’t tease!), everyone here at Kool Breeze hopes you have a happy end of the summer and great plans for the fall!

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If you grew up in the United States, you probably first saw John Trumbull’s painting of the Signing of the Declaration of Independence in an elementary schoolbook. This oil-on-canvas 12’ x 18’ painting hangs in the rotunda of the United States Capitol in Washington, D.C. It is one of the most famous symbols of freedom in the country and almost every citizen can conjure it from memory.

Except… the painting isn’t of the singing of the Declaration of Independence. The actual title of the work is Declaration of Independence, and although it does portray an important moment in the history of the document that announced the Thirteen Colonies’ decision to break away from British rule, the event in the painting occurred on June 28, 1776, not July 4, 1776.

John Trumbull, a Connecticut native who fought in the Revolutionary War and whose father was the state governor, was commissioned to create the painting in 1817. He did painstaking research on the figures in the picture and also visited Independence Hall to see the actual chamber where the Second Continental Congress met. Trumbull only included 42 of the original 56 signers, because he could not find adequate likenesses for 14 or them, and added a few figures who were not present (most of whom declined to sign the actual document). In fact, the men depicted in the painting had never been present in the same room at one time.

So if the painting does not portray the signing of the Declaration of Independence, what is happening in the image? The Trumbull’s scene depicts the presentation of the draft of the declaration to the Continental Congress for editing and approval. The five-man drafting committee (John Adams, Roger Sherman, Robert R. Livingston, Thomas Jefferson, and Benjamin Franklin) is handing over their finished work, which congress would then edit carefully over the next few days before voting on it and signing it on the day that we now celebrate as the start of the United States of America.

One last, odd, fact: two of the five-man drafting committee, John Adams and Thomas Jefferson, both died on July 4th—although many years later.

Our family at Kool Breeze hopes that your Fourth of July (or Twenty-Eighth of June if you decided to start celebrating early) is a memorable and happy one.

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